Marinating

I'm marinating.

It's the best word I have for that period between books, soaking up ideas, letting everything meld together until it's ready. Or steeping, maybe. I'm waiting for some things on Happy Sauce, so I can't do anything with it, and it's not the right time to work on the (possible) sequel. To keep active, I'm brainstorming something Entirely Different. I've got the basics of the idea, but I'm not ready to put fingers to keyboard quite yet. I'm pondering the situation and the characters, doing research, working out the kinks in my head. Reading, watching movies, absorbing ideas and thoughts and what I want. Usually I do this for a while until I'm so ready I'm bursting with it--I HAVE to go to the page.

It feels slow, though. It feels unproductive, after the rush of sending something out. But I have to remember that it's an important part of my process.

And it's fitting, I suppose, with all the waiting and drip-drip-drip of time during this week between Christmas and New Year's. Fortunately I'm getting lots of good reading in.

I know many of my writer friends are spending this time frantically doing edits or copyedits. What are YOU up to this week?

If I don't talk to you before this weekend, hope you have a WONDERFUL New Year's. May 2012 be happy and productive for you!

Nutcracker

Come Christmastime, like many people I crank up Pandora on the Christmas stations. I like to listen to the old classics, the carols, and the classical holiday music. But that last one I only do sparingly. See, that one comes with a little risk. They might play Nutcracker music. And Nutcracker music instantly swirls me into memories.

Oh, God, it came on just now, as I'm typing this.

I first saw Nutcracker performed by the Sacramento Ballet Company when I was 8. I'd taken little kid ballet in L.A., but nothing serious. It didn't matter. I told my mother I WOULD be in that ballet. I started lessons at a local studio the next year. I worked hard, I learned. I tried out for the show in Sacramento when I was 9, and didn't get a part.

I tried out again when I was 10, and I did. One of the easiest parts in the show--Marshmallow Child, 2nd cast. (There was a definite pecking order for casts.) But only 2 years after my declaration, I'd done it. I was thrilled.

I worked harder.

The next year I got in again, as one of the party children in the first act. 2nd cast. That year, for Christmas, I got regular lessons at the Sacramento ballet school, instead of the local school. It meant a 40-minute commute, and at first it was only a couple days a week. But I was serious now. Nutcracker auditions were in September, and from that point until December rehearsals got progressively more demanding. We did 2 full weeks of shows at Christmas, and I had to take off school. My whole class did a field trip once to come see me.

The next year, as a Sacramento Ballet school student, I got a party child part again--1st cast. And a lamb in the Sheperdess dance. I started taking more classes. By the end of that year I think I was up to 5 days a week, maybe 6. I tried out for the apprentice company, and I got in.

The next year, 1984, I got to be Clara.

If you don't know the show, Clara is the lead. She's in nearly every scene, at least on stage watching. She gets to be on stage entirely alone during the most magical part, when the Christmas tree grows. It's an amazing opportunity, and I was ecstatic. I had to share with two other Claras--I was 3rd cast--but it didn't matter. I was freaking CLARA. When I wasn't doing that part, I was also a flower, and a soldier in the battle scene.

The next year I was in the full company. I was dying to be Clara again, but our director said it was time for other kids to have a turn. I was going to classes 6 days a week now, three hours at least on weekdays and all day on Saturday. But I was also starting to get injuries. I had Achilles tendonitis, and shin splints. Politics at the studio were insane, and the driving time was ridiculous, and my parents were getting a divorce. I was starting to be unhappy. I was 15. I got Chinese ( a very good part), and a snowflake, and a flower again.

And the next year, when I was 16, I made the decision, with my mom, to stop.

I was immensely relieved. My injuries weren't getting better, and with my body type (really small, in case you're wondering--I'm 5'3"), it would be a very tough go for me to be a dancer professionally. I did acting at school instead, and went away to university, and discovered writing, and all turned out well. It was the right decision.

Except for when I hear Nutcracker music, and it kills me.

It's funny, because I LOVE Nutcracker, still. I know every beat of every part of that music. I  remember almost all the dances I did, for all the parts. I remember with vivid clarity being on stage as Clara, during a matinee performance, when one of the huge mice was sneaking out behind me and a child from the audience yelled "Watch out, Clara!" I remember paper snow sticking in my false eyelashes, and that tremendous swell of joy as the Christmas tree grew and I held up my candle to it.

But it hurts, too. I'm not sure why--I guess because it's part of the past, and I loved it so and it's over. Has been for many years. I don't regret the choice, but I miss it. And the music--that much beloved music--brings me back. Makes me feel it all, remember it all, just by listening.

I think I *might* be getting to the point where it hurts less than it pleases, though. Where the good memories win out over the loss, and I can be purely glad that it happened. I have my Nutcrackers--I got one as a gift every year--out in a row at home, and my daughter, who is 9, loves them.

Maybe I should go listen to it again.

Theme Song

Last night hubby and I were watching Stephen Sondheim's Birthday Concert together
(http://www.pbs.org/wnet/gperf/episodes/sondheim-the-birthday-concert/preview-the-concert/1041/), and when this song came on I stopped and listened, rapt.

This is my theme song right now. Every word of it.



Of course I'm not sure how well it works out for the character--he finds the love of his life, but doesn't he die within 24 hours of singing that song?

I won't think of that side.

Could it be? Yes, it could. Something's coming, something good. If I can wait...

Getting there!

Finally, I feel like I'm getting a handle on the holidays.

We went away for a week's vacation (ah, San Diego, you were lovely as always) the first week of December, so I didn't start anything until the 7th. But thanks to a flurry of internet shopping last week, I've got everyone done except my husband. That one might take a while. :)

And yesterday we decorated! The tree is UP, there are lights out front, and all my Nutcrackers are standing in formation, ready for Santa. It makes me so happy to stand there and gaze at the tree, every ornament a story. (Mind you, I've forgotten some of the stories, but I'm sure I could make one up for you if you asked.) It made me happier when Child was heading off to bed last night, and she stopped at the tree and sang to it. Just because.

I've got a lot of work to do today, but I think I'll crank up the Christmas music and light my Christmas Pine candle while I go!

Hope your holidays are going well too. I'll send you a dose of holiday spirit today if you need it.

Thankful

In the spirit of the impending holiday, I am so, so very thankful for:

My family being happy and healthy. They always come first.

My friends. I am blessed with SUCH fabulous, supportive, understanding friends!! May you all have friends like mine. And yes, I mean each and every one of YOU in that.

Jake. And Myka, Dedushka, Eric, and even Liesel. And in times past, Annie and Zilla, Jenna and Katherine. These characters who inhabit my head fully and allow me to inhabit theirs. I love spending time with them. (I admit it--I need it.)

All the hardworking lovely people in the kidlit industry, especially those I'm fortunate enough to know or work with: agents, editors, copyeditors, proofreaders, designers, marketing, sales...all of them. Together they bring books to kids and teens. How very cool is that?

I hope all you Americans in the crowd have a wonderful, restful Thanksgiving. For the rest of you, enjoy the quiet? :))

Love,

Susan

Sock-knocker: Originality--INCARNATE

I was a very lucky girl last week, for many reasons.

One of the reasons I can tell you about is that I was given a Kindle ARC of an amazing new book coming out in 2012: INCARNATE, by Jodi Meadows.

I was looking forward to it, because I know Jodi on Twitter and she's super-cool. Plus I love the cover. How could you not?

Isn't that gorgeous? PLUS I wanted to read it so hard after seeing this blurb:

NEWSOUL
Ana is new. For thousands of years in Range, a million souls have been reincarnated over and over, keeping their memories and experiences from previous lifetimes. When Ana was born, another soul vanished, and no one knows why.

NOSOUL
Even Ana’s own mother thinks she’s a nosoul, an omen of worse things to come, and has kept her away from society. To escape her seclusion and learn whether she’ll be reincarnated, Ana travels to the city of Heart, but its citizens are suspicious and afraid of what her presence means. When dragons and sylph attack the city, is Ana to blame?

HEART
Sam believes Ana’s new soul is good and worthwhile. When he stands up for her, their relationship blooms. But can he love someone who may live only once, and will Ana’s enemies—human and creature alike—let them be together? Ana needs to uncover the mistake that gave her someone else’s life, but will her quest threaten the peace of Heart and destroy the promise of reincarnation for all?

But I admit I was a bit nervous. Why? Because I like Jodi, and I expected so much, that I was afraid I'd be disappointed. It happens, sometimes.

FRIENDS. THIS DID NOT HAPPEN. THIS BOOK BLEW MY SOCKS RIGHT OFF.

Why? I'm a tough reader. What did it?

Three things.

1. Originality. Good God, this book is ORIGINAL. It's not a twist on an old story I've read, or an interpretation of a myth, or different dystopian plots shuffled around. It is NEW. I have never read anything like it before. So new it had me getting excited, thinking of how this society would work, and how differently characters would react to each other in this world, and what all the implications were...I don't even know how long it's been since I was struck so by how *different* a book was. And in this case, different = amazeballs.

2. Characters. I loved Ana from the start. She's not perfect--in fact, she has some characteristics, especially at the beginning, that aren't really pretty. (low self-confidence, uncertainty, defensiveness) But you get why she's like that, and you see how she gets it herself, and how she counteracts those issues as the book moves along. Plus from the very beginning you see her strength shining through her upbringing. And Sam!! He's not perfect either, or sparkly or brooding, but he is just...aaahhh. I'll let you find out.

3. Writing. Jodi's writing is beautiful, but not in a self-conscious way. I felt from the very first page that I was in the hands of an expert. She never stumbled in pacing or characterization, never lost me to boredom (this happens easily with me). Brava, Jodi.

Definitely a sock-knocker. I think I'll still be looking for my socks when it comes out on January 31st!

Update

A couple of people have asked me how my elementary school talk went. I suppose I can tell you...

FABULOUS!!

You guys, it was so much fun!! The first group was 1st-3rd graders, and my prepared talk lasted only about halfway through our time--I had a moment of panic. But they asked MANY questions. It was funny what the little kids were most interested in. It was all about numbers. "How long did your longest book take you to write?" "How many pages was it?" "How long would it take to write a BILLION words?" :)

The 4th-6th graders were pure awesome. They jumped in with intelligent, thoughtful questions right away. I ended up not only talking about writing process, but also self publishing, writer's block, social networking, having FUN with writing, my book (I let them see my plot board, and they were fascinated with the book--they all wanted to read it!), and even my friend's book. (Em, they all want to read your book too, AND see the movie!)

In short: it was an easy introduction to school talks. A little scary at first, but great fun. I love passionate kids!

There are many other things going on that I wish I could tell you, lovelies. Maybe soon!

MORE updates: As part of my presentation to the kids, I talked about my writing journals--my favorite tool--and let them see two of mine. I was tickled when the teacher told me yesterday that THREE of the upper-elementary kids bought their own writing journals over the weekend. :))

Where ideas come from

I'm speaking to a whole elementary school of kids about writing on Thursday.

Fortunately, this isn't as nerve-wracking as it sounds. It's two groups of about 12 kids each, and it's at my daughter's school. They were doing a unit on the writing process, and I volunteered to come in and talk about mine, as well as the publishing process in general. (The kids call their stories "published" when they're accepted by the teacher. If only, right?)

The writing process part of the presentation was easy. I've got visual aids and everything (plot boards, marked-up manuscripts, pictures of screaming people...). But the teacher also asked me to "please talk about where your ideas come from."

O_O

I know. That question gets asked all the time. But this one I had to really think about. To me, ideas are kind of magical. Sometimes I circle around an idea for a while, pinning it down; sometimes it drops into my head whole. Sometimes it comes from a dream; sometimes a line of text. How do you express that to kids in a way that encourages them, but still expresses that I don't *know* how it works?

I've decided to try this:

Story ideas come from everything you experience: everything you see, read, listen to. Imagination draws inspiration from everyday life, and twists it in a new way, unique to you.

To get story ideas, first you have to pay attention. Then you have to think, and allow yourself to imagine. What if is a fabulous phrase. Play with it.

And then I thought I'd try some what ifs with them, and see what they come up with.

What do you think? How would you answer the dreaded "ideas" question?

Creativity

I was sitting at a concert last week, and started thinking about creativity. What is it? How does this weird thing WORK?

For a large chunk of my childhood, my creative outlet was ballet. From 8-16, I danced nearly every day. Christmas meant Nutcracker time more than anything else. I was in a company; I had significant roles. I always felt a little queasy before going on stage, but once there I slurped it up. It was my place.

Though ballet is not a personal creativity, per se. Yes, you express yourself in the dance, but you do the steps as someone tells you to, in coordination with others. It's like the symphony, a joint effort.

Then I piled up too many injuries, and things happened, and I stopped ballet. Cold turkey.

I didn't know what to do with myself. All this time. All this lack of direction. I was just like...a normal person or something. Ugh.

So I took a drama class, at my high school. The first few classes I was shy and awful. You mean you want me to talk in front of people? But they can see me! But I had the revelation that I could let go in this situation. It wasn't as proscribed as ballet. I could improvise, have fun. By the end of that class I was voted Most Improved--and a month later I got one of the leads in the school play. Enter phase 2.

Acting is more creative than ballet, definitely. There's more of you involved--you now add voice to body and expression. But with the exception of improvisation, it's still someone else's words, someone else's story.

I rode on acting for a couple years. Then I graduated from high school and headed off to a huge university. I wasn't confident enough to try acting there. I didn't dance anymore. What should I do with myself?

I was an English major--so I read a ton, and dabbled in bad poetry, but mostly I just wrote essays. I was a little...lost. I didn't have any creative outlet. I thought about writing a novel, but I just didn't feel like I'd lived enough to have any stories to tell (I may have been right).

It wasn't until years later that I finally decided I COULD try writing, and I feel like right there, my true creativity was found. With stories, it's all me. My words, characters, plot, world. I've tried to stop writing, for various reasons, but it's never lasted long. Even when I stop, I still tell stories in my head.

Child acts, and dances, and even writes stories, but so far her true passion is drawing.

I imagine creativity as a force that comes from within someone, or maybe surrounds them. It ferrets its way out in whatever form it can find: music, dance, art, theatre, writing, comedy, whatever. And then if you stop that form, that outlet, it builds up pressure until you have to let it out somewhere else, or you'll explode. Or implode, perhaps.

But what of people who don't do any of those things? My husband doesn't, for one. Lots of people don't. Is the urge, the force, just not there?

I know lots of you are creative people. What are your thoughts/experiences?

Love Day Monday

It's time for a Love Day, because Monday needs a little brightening. Especially today--I can't even see the mountains outside, it's so cloudy/foggy/rainy. *peers at mountains*

Today I love:

FALL. Pumpkin-scented candles and salted caramel mochas, sweaters I'd forgotten I owned and everything orange and yellow. Halloween parties crammed with ghosts and vampires and witches.

BOOKS. Specifically, both books I'm reading right now: SUPERNATURALLY by Kiersten White and THE GIRL OF FIRE AND THORNS by Rae Carson. Supernaturally is light and fun and escapist, and I love Evie. GoF&T is amazing in its worldbuilding. Once I started the sample on my Kindle I did NOT want to stop. In fact, it's calling to me right now...

FRENCH COMEDIES. Hubby and I have this thing for watching French screwball/romantic comedies every once in a while, and I really enjoy them. They don't do the same plot twists/character developments as American romcoms do, and I love that unexpectedness. I Do is a particularly good one we saw yesterday.

BRITISH DRAMAS. Downton Abbey. Sherlock. Luther. Oh, BBC, I adore you. But PLEASE COME OUT WITH NEW MATERIAL FASTER. Oh my god, the second season of Luther nearly killed me...it was *almost* too dark. So close to that line. But in the end I want more.

HAPPY SAUCE. I hope to finish revisions today or tomorrow and get it out to one more beta reader for a fresh post-revision opinion. Then...the synopsis. Dum dum dum. But I still love this book.

What do you love today?

Mascots

Each book I write is a very different experience--which makes sense, as they're all unique and lovely speshial snowflakes. *pets manuscripts*

No, seriously.

They each have their overlying themes, their "moods," their music, their various levels of beating the heck out of me--*glares at last book*--and their own mascots.

Mascots are for me to look at as I write, then later as I submit and bite my nails. When I'm first-draft writing I look at them often (or touch them, if appropriate). In the later, more difficult stages they remind me of that first-draft time when I was happiest with the book.

Much, much later, as I move on to yet another book and the old mascots sit on the shelf like abandoned toys, they remind me of what I've accomplished. But it's interesting to see how they change, and what they say about me at the time, and the books they represent.

Book 1: The Murderess's Tale
Didn't have one. I was flailing around, didn't know what the heck I was doing. It wasn't ready for a mascot. Anyone want a first novel YA historical based in 1387 England? *crickets*

Book 2: The Weirdest Thing about Jenna
It had flying monkeys. Hence, this lovely:

It's eyes actually lit up, once upon a time! It's also holding in its lap the mascot for a not-long-for-this-world manuscript, Book 3: Ghost Girl. (I had that title before the published book! I swear!)

Book 4: Salvaged
Did not ever have a mascot either. *shifty eyes* I think there is a reason for this.

Which leads us to:
Book 5: Happy Sauce (not its real name)
This lovely, which I am currently doing edits for, has TWO mascots because one could not contain its fabulous juju.

Mascot #1 is a monster that Child designed and sewed for me. She named it Annabelle.

 She is a little creepy, I admit. But heck, the book's a little creepy too. In a GOOD WAY.

Mascot #2 I bought for myself. I saw it at the gem and mineral show, and when I lifted it, it made me happy. It is so smooth and slick, and just the right weight. It is also gorgeous, from all angles, with greens and whites and pinks that shift. It looks like clouds trapped in stone.

I use this one like a worry ball--when I'm pondering plot twists or what to leave in/take out, I roll it in my hands and it HELPS.

I can't be the only one who does this sort of thing, am I? Do you have mascots for your books?

The Unexpected

Happy Monday, y'all.

Good news today: I'm in the middle of the 4th round of revisions on Happy Sauce, and I still love this book with an unholy passion.

Bad news: ...Yeah, I don't really have any bad news.

Child is back safely from her 3-day school campout (they always make me so nervous)--and even though they got rained out at the end, she had a good time. I have new, sexy ankle boots. I have coffee and chocolate. The sun is out, after a week of rain.

All in all, pretty fabulous.

Also, I wanted to tell you guys about this amazing show husband and I saw last week. It was an acrobatics performance, kind of like Cirque de Soleil except based in the old west. It's called Boomtown.

http://www.birdhousefactoryshow.com/BoomTown/index.htm

There were lots of flips and amazing balancing feats:

I actually gasped more than once. But my favorite part--the part that made my husband and I both laugh so very hard it HURT--was when they brought an audience member up on stage to interact with the clown, and he totally flubbed it. More than once, in a hilarious way. It really made the evening.

So there are two morals, one for writing and one not.

One: Go see BOOMTOWN if you get the chance.

Two: Embrace your mistakes. Embrace the unexpected. Sometimes what you think is a disaster--just when you're panicking that you've totally messed things up--it turns out to be the best thing you could've done. It twists into the highlight of the show, or the book.

The WINNER!

The winner--by random draw--of the signed copy of Witch Eyes is...

Sara M.!!!

Congratulations, Sara, and thanks for playing! I'll email you with the details. :)

Thanks, everybody!

I...um...promise I'll be back sooner than last time.

Win a copy of Witch Eyes!

It's here. *drum roll* The Scott Tracey interview and GIVEAWAY!!

Scott!! Welcome!! 

First, let me say how fabulous it is to have you HERE. We've been part of Team Sparkle together for a couple years and many thousands of emails, but this is our first formal-ish interview. I feel all official now.

It's launch time, and you've done a bunch of interviews about your book, what it's about, your path to publication, how you write, music questions—all that good stuff. 

So that's not what I'm going to ask you about.

*shrug* It's already  there, right? Today, we are going to have simple FUN. And be silly. And give away a signed copy of your book!

Let's begin.

In Witch Eyes, Braden has magical eyes that let him see through lies and spells. So let's talk about eyes today. Eyes are the most expressive aspect of a person…and the most revealing.

1. Who has the creepiest eyes you've ever seen?

Creepiest eyes ever?  Steve Buscemi.   

Don't believe me?  There is a Tumblr called 'Chicks with Steve Buscemi eyes' and it's traumatizing.

http://chickswithstevebuscemeyes.tumblr.com/

 *Note: Scott is not kidding with the traumatizing. Click on that link AT YOUR OWN RISK.

2. Most beautiful eyes? Male and female?

Oh jeez.  This is always so hard! Matt Bomer for the guy, for sure.  

For the girl, I have two.  Sharbat Gula, for the best 'real person' eyes.  If you don't recognize her name, she was the 'National Geographic cover' girl with the startling green eyes.  She actually comes up (or she used to) when you search "Witch Eyes" on Google Images. 

  

For the celebrity, I'm going to go with Kristin Kreuk from Smallville (ahem, or Chuck guest star!).  Or Elizabeth Taylor if we're talking old Hollywood.

 3. There's a beautiful shot of Braden's eyes on the cover. Is that what you imagine them looking like? If not, what did you imagine?

If you took a snapshot, that's probably as close as you'd get to Braden's eyes.  Aside from the "witch eyes" aspect of his powers, his eyes are constantly shifting colors, so while his eyes are blue and green on the cover, if you took a shot a second later, they might be brown and gray, or gold and black.  

The lightning is fairly symbolic image of the power of the eyes, because I don't THINK he can shoot lightning out of his eyes (although who knows?  There's always the sequel). ;)

4. Quick, writing short: write me a story, in 50 words or less, about some sort of special eyes.

Whisper Tony was a legend in my town.  Everyone had a Whisper Tony story; my brother swore ours  was true.  He never said a word, and his eyes were like chocolate and arsenic.  With a look, he'd lull you in, and poison you just as fast. 

I miss my brother.

50 words exactly.

5. I'm watching you…in your nightmares, what kind of eyes are following you around in the dark?

I don't have a doll phobia, but when my little sisters were growing up, they had one of those My Size Barbies, right?  And the Barbie stayed in the basement, where the laundry also was.   

So on mornings when I had to go iron my uniform before school (which was almost every morning), I would stumble downstairs, bleary eyed and half asleep, and the first thing to greet me was that doll.  And in those early morning hours, her eyes would follow me.

So if I gripped the iron like it would have to double as a weapon at a moment's notice, that's totally rational.

6. Show time: let's see YOUR eyes. Close up, please.

Now Scott is watching US!!

And he wants to hear from YOU.

Scott is giving away a SIGNED copy of Witch Eyes to one lucky reader. Here are the rules:

1. Contest closes Friday morning, 11 am MST.

2. To enter, comment on this post!

3. For EXTRA ENTRIES: 

     (1) Include a link to a picture of eyes that affect you in some way: that you love, that creep you out, or intrigue you. Anything.

    (2) Write a 50-word short about eyes and post it here!

One entry added for each of these things. Total of 3 entries possible.

You WANT to win this, you guys!!! 

Trust me.

 GO!!

Scott Tracey is coming here! Tomorrow!

Guys!!

You know Scott Tracey, right?
*hint: Scott is one of the FABULOUS 7-member Team Sparkle, where I spend all my email time.

But do you know that Scott just released his debut book, Witch Eyes?

Well, tomorrow I'm going to give you a chance to find out a little more about Scott, and Witch Eyes...and even win a copy!!

Also eyes. This interview has a lot of Things about Eyes.

Be ready, my friends. Tomorrow!

(also Friday is Tiara Day, don't forget!!)

It's been so long since I posted here, Blogger has completely redesigned and I can't figure out where anything is.

*flails*

How are you all, my lovelies?

I've seen many of you on Twitter and such, which I've been sucked back into been visiting again now and then, so I'm not completely off the map. Just haven't gotten back here.


The good news is that I've been busy with: 


1. Vacation! We went for a lovely, restful week to the Oregon coast and a tiny smidge of a visit to Portland. The week included 3 visits to the science museum, 2 visits to the air & space museum, 2 visits to the Tillamook cheese factory, 2 evenings at the waterpark, 2 days at the beach, 1 steam train ride, 1 jet boat ride, 1 motor boat ride up the river, and lots of fudge, ice cream, and cheese. *happy*


2. Book! Still working away on self-edits for Happy Sauce. I'm doing line-by-line now, which is by turns excruciating and exhilarating. Sometimes I forget what I'm supposed to be doing and just read. I like it when that happens.


3. Back to school/dance/art class. This one's mostly for Child, but it does involve a great deal of parental participation. I admit I might have been a bit late on getting the rides scheduled/tap shoes bought/art supplies ready etc., but I *think* we're there now. And Child wasn't going to audition for Annie, but now she's not sure. We may be adding more to our schedule!

Hope you all are well!! I will try to be back here more often...

WINNER of THE NEAR WITCH

Thank you so much for playing along, you guys!! I loved your Victoria pictures. :)

I had Child draw a number from the entries, and the winner is...

ANNIKA!!

Congratulations, Annika! Email your address to me at susan (dot) adrian (at) yahoo.com, and I'll get your order on the way. I'm ordering my copy too!

INTERVIEW with Victoria Schwab! And CONTEST!

A year or so ago, I had the honor of reading an early version of Victoria Schwab's debut novel, THE NEAR WITCH. I've always loved fairy tales, and this is an instant classic: it envelops you in the dreamy fairy tale landscape, it intrigues you, draws you in...and WHAM scares the crap out of you.

Okay, so I'm not a lyrical writer like Victoria. But it's true. This story will both scare and captivate you. The language is gorgeous, the landscape and characters whole and real.

And it's out officially on August 2nd!! I can't wait for the rest of you to read it.

To celebrate, I cornered V for a little one-on-one interview time--AND I'm giving away a copy of THE NEAR WITCH, mailed to your (North American) door.

Are you ready? Here we go!

1.    The Near Witch is in the best tradition of fairy tales: creepy, magic, and possible enough to scare the heck out of you. I know you've picked Little Red Riding Hood as a favorite classic, but for research you must've read some more obscure, off-the-wall stories. What's your favorite out of the ordinary fairy tale, and why?

 You know, it’s interesting, but most of my research revolved around the WAY stories are told, passed down from generation to generation, and the way they shape a community. Truth becomes relative, and tradition becomes law. But I have indeed read a good deal of fairy tales and fables. 

One of my favorites is Godfather Death by the Brothers Grimm. I have always had a weakness for personifications, especially those of Death (the first book I ever wrote, and one I’m determined to revisit some day, involves  Death) and in this one we get God, the Devil, and Death. A man with many children is overwhelmed by yet another, a boy, and goes into the road to seek guidance and a godfather. God walks by, but the man refuses, accusing him of being unfair. The Devil walks by, and the man refuses him, too, knowing his cons. Death walks by, and the man, knowing he treats all equally, chooses him. Death goes on to guide the child, to elevate him to a position of power. But the boy crosses Death once, and is forgiven, but he does it a second time, and in the end Death claims him.

2.    Creepy! I am so impressed (always) with your lyrical, almost dreamy use of language—which fits perfectly in the world of The Near Witch. Tell me about the language in this book. How do the village and the moors shape the words? How aware of this were you when you were writing?

The language in the book is incredibly important. Writing a fairy tale means landing the style, and in this case the narration, between fantasy and reality. The tone has to be slightly more formal, without being lofty, well-drawn, but sparse. So much of writing a fairy tale is the WAY in which it’s written. I could have done NW and had it read like high-fantasy, or like paranormal, but I didn’t want to. I wanted a fairy tale, down to the timelessness. And it turns out, as many, many rounds of fine-tuning will attest, finding that little “timeless” patch on the spectrum of style is actually really hard.

3.    You're stuck alone in an elevator with Neil Gaiman, and you have time to ask him ONE question. What would it be?

(O_O).

Can I have this dance?

4.    You get to bring Neil ONE type of chocolate or baked good, without it being at all creepy. :)  What would you bring?

 GASP. I’d probably bring him a batch of chocolate cake cookies. Because they are apparently quite eatable, and in my mind he’d take them home, and keep snacking on them, and then I’d leave a more lasting impression than say, a cupcake :p

5.    Explain your obsession with narwhals.

Narhwals are the unicorns of the sea!! But seriously, I find them enchanting. They are proof that there is still a little magic in the world. 

 6.    Like everybody, you've had ups and downs in this crazy publication path. Tell me your favorite thing that's happened so far. What do you look forward to most?

Oh yeah, it’s definitely been a roller coaster. But one of my favorite things has been so small and random. A friend and fan of the book (that second F-word sounds sooooo weird) told me that one of HER friends recommended THE NEAR WITCH to her after the friend’s mother, a high school teacher, told her daughter about it, after she heard a group of students in the hall talking about books they wanted to read that summer.

Yeah.

I still can’t process that people out there who are not directly related to me/friends with me even KNOW about my book, so that was pretty wonderful.

**************

Victoria's the coolest.

Okay, so you want to win a copy of this book, right? RIGHT?

Here's what you do.

You saw how I scattered images throughout the post, to illustrate? I want YOU to go on an image scavenger hunt.

1. Go forth and find an image or images of things to do with THE NEAR WITCH or Victoria. Suggestions include, but are not limited to:

• narwhals
• chocolate
• cupcakes
• Neil Gaiman
• Fairy tales
• Witches
• Yorkshire villages

Note: You are NOT allowed to steal the images from (a) this post or (b) anything V herself has posted. Search the internet a *little* further.

2. Post your picture(s) somewhere, and tell me here or on twitter (@susan_adrian) where. You can post it on twitter, your blog, Flickr, Tumblr, whatever. Just post and say what it's for (#thenearwitch), and TELL ME! You get an entry point for each picture, UP TO FIVE.

3. You also get one point just for commenting here or twittering with #thenearwitch hashtag, for those people who don't want to mess with the pictures. See how easy I am?

4. Contest ends Friday at noon!! Then I'll do a random draw and order copy of THE NEAR WITCH for the winner!! North American entries only, please. Though everybody is welcome to post pics.

TWO fabulous things!!

I know it's Monday, but I have GOOD THINGS to tell you!

Good things are always more necessary on Mondays, don't you think?

GOOD THING #1:

On August 2nd, the rest of the world will be able to read THIS utterly magical book:

 

by THIS utterly adorable and extremely talented person (on the left below. Yes, VICTORIA SCHWAB!):

To celebrate, this Wednesday July 27th, I'll be hosting an interview and CONTEST to win a copy of The Near Witch mailed to your door! It will be fun, people. Stay tuned.

GOOD THING #2:

On Friday I finished the first draft of Happy Sauce!!!!

*dances*

It feels a little false to celebrate because:

(1) it only took me 8 weeks to write--it gushed out--and it's really really really rough. I'm already making lists of plot points I didn't thread through or people I kind of dropped or need to re-work.

(2) it's not like Jake's even taken a break from my head. See above RE lists. Also, ideas for how to make everything deeper, more intense, etc. are spilling in. And then there's Book 2, which I'm not allowing myself to think about yet but HE is ready to get on with. And the research I need to do in the next few weeks...

But still. Rough as it is, it's a whole story start to finish, and I still love it, and love Jake. So yeah. We can do a little dancing.

See you Wednesday!!

Things I learned over the weekend

This weekend was, in general, FABULOUS. It is perfect summer here at the moment. Highs in the 70s and 80s (mostly), sun, afternoon thunderstorms.

I love thunderstorms. It's left over from childhood.

But I did learn a couple of things, in our Summer Adventures. There's always more to learn.

1. The middle-of-the-night sprinkler breaking thing can happen again, exactly the same, three years later. Down to the time of it breaking (1:30 am) and the depth (and coldness) of the water under the house when I had to jump down there. Ugh. I'm calling the sprinkler people today.

2. It is an absolute glorious high to catch a big, fat brook trout on the first cast with a new lure. Even more of a high when my husband and I caught 25 fish between us. (20 rainbows and 5 brooks! It is a RECORD!)

3. If I realize, after we've been out on the boat on the lake for about an hour, that we both forgot to bring our cell phones, we WILL have engine trouble. It is fated.

4. No matter what husband says, I am not quite strong or big (or coordinated) enough to row a metal boat with three people and gear on it by myself. I can, however, manage one oar if he does the other. For a really short distance. And am sore afterwards. *ow*

5. Almost six hours on a rowboat is a long time, especially when for the last hour you have serious concerns about getting back.

6. Still, those 25 fish--and a full day in the sun, on the water with hubby and Child--are worth it.


Hope y'all are doing well! Still working away on the first draft of Happy Sauce (58k today!), and other Things. Wish me luck, and I'll wish you the same.

OH. And GUYS!! Did you know that Victoria Schwab's wonderful book THE NEAR WITCH releases in 2 weeks??

Did you know that I'm going to be hosting an interview and contest in this space, soon, where you can WIN A COPY of said book?

Stay tuned, lovelies.