Interview with Nova Ren Suma and Contest!!

Sorry, contest is now closed!!!

Here it is, peeps! The DANI NOIR interview, with the Most Fabulous Nova Ren Suma!!

Nova is the author of DANI NOIR, a tween novel about noir-movie-obsessed Dani and the lies she uncovers in her small nothing-ever-happens town, out now in hardcover and ebook from Simon & Schuster / Aladdin. IMAGINARY GIRLS, Nova’s YA debut, is the story of two sisters and their bond that can’t be broken. It is due out in hardcover tentatively in Summer 2011 from Penguin / Dutton.

Also, Nova is immensely cool. Just so you know.

Susan: Tell me your summary of Dani's story.

Nova: Speaking of fabulous, first off, thank you so much, Susan, for having me on your fabulous blog!

DANI NOIR is about liars, cheaters, and all things Rita Hayworth. It follows 13-year-old Dani the summer her best friend has moved away, her brother's away at camp, and her dad's left her mom for another woman. Classic black-and-white film noir movies and the stunning femmes fatales that star in them are Dani's only escape from her boring small town where nothing ever happens, or so she thinks. But when she realizes that someone's been lying, and not in the movies but in real life, she sets out to uncover the truth, no matter who gets hurt on the way...

Susan: I was so impressed with Dani's authentic voice, the authentic headspace of a 13-year-old. Tell me about how you slipped into Dani's skin.

Nova: Oh, thank you! You know, the whole time I was writing the book I felt like I was channeling Dani herself, like she was a real girl. She's a very dramatic character, so it turned out to be a very dramatic summer and fall for me while I was writing this novel. I may have acted out a little, so anyone who knows me, please forgive me! To get inside her head and slip into her skin I sent myself back in time to age 13. I remember the summer before eighth grade so clearly—too clearly—so it felt natural to speak from that voice. And when I felt myself feeling distant from Dani, I'd turn off the lights and watch a scene from a noir movie. Also, copious amounts of ice cream helped.

Susan: There is such a fabulous interplay between two different pieces in the book: Dani's troubles, including her parent's divorce, and her love of film noir movies. How did you come up with that combo?

Nova: I can't separate Dani from her love of film noir movies. I can't imagine a story about her without that interplay, it's so much of how she sees the world. I guess this is why, when I look back at the start of the writing before I decided to write about noir movies specifically, the story was completely flat. She was flat. Sure, Dani existed, but she was nobody special. She could barely carry a scene. Then I had one of those click-worthy moments watching a particular scene in a certain classic noir movie called Gilda. It's the scene where you first see Rita Hayworth.



I saw it through Dani's eyes, imagined her watching it from her lonely seat in the Little Art movie theater, looking up and meeting eyes with Rita Hayworth, and it all sort of fell into place. Once I knew where I was going, I went crazy with it. The "if this were a movie" diversions were my favorite parts of this book to write... could you tell?

Susan: Do you have favorite film noir bits? Are they the same as those in the book? Why?

Nova: If you asked Dani, she'd say her favorite thing about noir films are the femmes fatales, such as her hands-down favorite Rita Hayworth, but she'd also give props to Barbara Stanwyck, Lauren Bacall, and Lana Turner. And if you asked me the same question, I'd have to agree with Dani. Maybe that's why it was so easy to write her: We connect to the same things. So I think you could say that the scenes mentioned in the book are scenes that resonated with me personally, and that's why I shared them with my character.

Here's another scene that stuck with me from Gilda and that Dani also mentions loving:




In one point of the book, the projectionist, Jackson, insists on showing Dani the opening shot of Touch of Evil, which he says is genius because it's one camera moving through the streets without cuts, one of the first times that was done in movies. (View the Touch of Evil opening scene here) In real life it was my husband, an NYU film school grad, who insisted I watch that scene. I remember how excited he was by how skillfully it was done, not a cut until the car blows up at the end—and it sure was pretty impressive—but when I was watching I had the kind of reaction Dani might have had. The whole time I'm going, Yeah, yeah, that's great, but where's the femme fatale?

Susan: I understand you'd ghostwritten some projects before writing DANI NOIR. How many books did you complete before this sale?

Nova: For a few years, I did write a lot of books for kids and tweens under different pseudonyms and house pseudonyms—I lost count at seventeen. That amount probably sounds ridiculous, but only four were novels; the rest were shorter. Before DANI, I also wrote two adult novels of my own that were never published. At one point I remember counting up the pages I wrote in the span of two years—and it was more than a thousand. Let me tell you something about those years: I was tired. Very, very tired.

Anyway, I guess DANI NOIR is technically my seventh novel, but it feels like my first. It's the first original tween novel I ever wrote, and it's the first time someone actually gave me a real shot to publish my own story under my own name. Thank you, Simon & Schuster! Now that the book is out, it's also the first time people are actually reading what I wrote, reading and responding, and that's all new to me. It's a wonderful, exciting, frightening feeling. It took a while, and a lot of pages, to get to this place, but I'm glad it waited to happen with DANI NOIR.

Susan: Talk a bit about your writing process. Outliner or seat of the pants? Quick draft or revise as you go?

Nova: Outside my various day jobs, I am at heart a very disorganized person: scattered, messy, easily overwhelmed and terribly forgetful. This is why I need an outline to write a novel. It's important that I know what I'm in for, that I plan out my story in order to reach the end. Now, what I call an "outline" may look more like a rough or quick draft to another writer, but I like calling it an outline because I don't consider it real writing. I'd prefer not to show these "outlines" to anyone except my husband, who reads everything I write at every stage and helps me make it better (I'm so lucky to have him). No one else should see the outline though. I'm afraid it would make someone who didn't know me not want to read the book!

As for revising as I go, this is exactly how I write a first draft. What I consider a first draft has already been gone over multiple times—so it's maybe a third draft, technically. I do this chapter by chapter, so after writing to the end of one chapter, I spend days (sometimes weeks) rewriting it before hitting the next chapter.

I know that wise writers and writing teachers say that, for a first draft, you should just let your words flow and not get hung up on shaping your sentences at such an early stage, but I can't work that way. I do realize this is a waste of time when big chunks are cut later, or big plotlines changed, but I can't help it. I write in layers: I go over it and over it and over it and the story and the characters come clearer the longer I've spent carving them out. The first words I spit onto the page are never the ones you'll find by the end.

This method may sound painful, but I love it. The rewriting process between my private first draft and the official first draft I'll show readers is the most thrilling, delicious part of writing a book for me. 

Susan: You were one of the leaders of the "twitter-break" last week. Can you talk a bit about your love/hate with social media? Do you think it's valuable to you, or too much of a time-suck?

Nova: I'm so very conflicted about Twitter, mainly because I like it so much. Too much. I'm a very easily distracted person, so I tend to misuse it. I tell myself it's perfectly okay to tweet (or check Facebook) while writing, and then I spend much of my writing time clicking back and forth between windows, reading people's updates, commenting... and there I've lost an hour and my scene feels dead on the page. I have no self-control.

Last fall, while I was writing DANI NOIR, I forced myself to give up Twitter for about two months. And that was before so many people were using Twitter; I followed maybe 20 people. So imagine how much worse it is now to follow hundreds!

Fact is, Twitter is a wonderful tool for authors and, through it, I've connected with so many people in the industry: writers, editors, agents, librarians, reviewers, not to mention it's a great way to keep up with my faraway friends. In fact, Susan, I'm pretty sure that Twitter is how I first connected to YOU! I just need a way to find balance—to write when I'm writing and not let Twitter call me away. That's how this week off Twitter came to be. For me, abstaining like this has been cleansing. I hope to come back to Twitter refreshed and focused, and not let my bad habits hold me back from writing the best novel I can. Fingers crossed.

Susan: What are you working on now? Is there any more to Dani's story?

Nova: I'd love to write another book about Dani—in my mind, her story certainly continues, but there are currently no plans for a sequel. However, as we speak, I am in the midst of developing some new tween novels and there's one especially insistent 13-year-old who's making herself known in my head. I'm excited to try to find her story.

But that's for the future. Because the novel I'm writing under deadline now—the one that's so important to me, I even gave up Twitter for a week!—is due this winter. It's my debut YA novel, and it's called IMAGINARY GIRLS. It's the story of two sisters, their strong bond, and the dead body that threatens to break it. Even though it's for an older audience, you'll find some echoes of DANI NOIR in there: the first-person voice, since I always write in first person, and the place, as IMAGINARY GIRLS is also set in the Hudson Valley, where I'm from. I'm at the point in writing this novel where it's completely taken over all my senses. It feels more real to me than the real life I'm walking around in. This is dangerous, like when I'm outside crossing the street and don't pay attention to oncoming taxicabs, but it's been great for the novel so far. Assuming I make my deadline, look out for IMAGINARY GIRLS from Dutton in, tentatively, Summer 2011.

Thank you so much for interviewing me, Susan! I appreciate the chance to connect with your readers. And if anyone wants to find me elsewhere, my main website is http://novaren.com, and all things DANI NOIR can be found on http://daninoir.com. And... guess what? I'm on Twitter. Feel free to follow me and distract me, within reason!, at twitter.com/novaren.

And now....CONTEST!!

We are giving away TWO prizes:

1. A *signed* copy of DANI NOIR!
2. A copy of Rita Hayworth's classic film noir, GILDA, on DVD. (In case you weren't sure you wanted this, go watch here: http://www.youtube.com/watch?v=Tzg_1XwzG08&feature=related

Yeah. You really want that, huh? (I DO!)

Rules:

• Contest will be open until noon MST on Thursday, November 12.
• Each point will enter you in the contest once--at the end, I'll do two random draws.
• You get 1 point for answering the question (comment posted in this thread): What's your favorite noir movie/scene? Or favorite old movie star?
  
• 1 point for retweeting my announcement of the contest or tweeting your own
• 2 points for posting about the contest and interview on your blog (please note in the comments or on twitter the link to your blog!)

Ready? GO!!!